Paper Nude Drawings and Watercolors

Woman nude is a modern artwork realized by Achille Funi in the early 20th Century. Mixed media on plywood. Hand signed on the lower margin. Includes frame.

Carl August Walther (1880 Leipzig - 1956 Dresden): Reclining female nude, 20th century, Charcoal Technique: Charcoal on Paper Inscription: Inscr...

Hercules after Carracci V, 2014 Tempera on paper (Signed) 27 3/5 H × 39 2/5 W in. 70 H × 100 W cm On the subject of his new works the artist stated: “There is not enough orange, ye...

Genre: German Expressionist Subject: Woman Medium: gouache paint Surface: Paper board This is hand signed lower right. Framed it measures 17.25 X 15.5, sheet 12 X 10 This came from a Jewish estate. there was no additional paperwork or provenance. Julius Mordecai Pincas (March 31, 1885 – June 5, 1930), known as Pascin Jules...

"Personnages" is a gouache on paper by Alexander Calder. The work is signed in the lower right, "Calder 67". Although renowned for his innovative and groundbreaking sculptures, Alex...

Sleeping Boy is an original modern artwork realized in the 16th century by Giovanni Fontana. Ivory colored sheet attached on an ivory colored cardboard (...

Attributed to Ross Bleckner (American, b. 1949) Group of 3 Double Sided Drawings Watercolor and graphite on paper Largest: 24 x 18 in. Smallest: 22 3/4 x 18 in. Ross Bleckner grew up in Hewlett, Long Island, New York; drawing all the time without being aware that other artists existed. He was the middle child between two sisters; his father manufactures electronic parts He attended New York University where Sol Lewitt, Chuck Close and others were his teachers. He graduated in 1972, then spent a year at the California Institute of Arts. His contacts in the next few years were very fortuitous; Sol Lewitt and Chuck Close, Carl Andre, David Salle, Julian Schnabel, etc. Bleckner is on the nervous side, beset by self-doubt, insomnia, and gloom. He is unpretentious, although he is bluntly handsome, with olive complexion, and a compact build. He is "10 percent that is superficial and 90 percent that has to do with the depths and that is threatened by living. He is a very complicated individual. He is a very, very morose, deeply feeling, hardworking artist- he takes a lot from within himself - but always, no matter how successful he is, he feels he is going to fall into those depths." 1 Bleckner first exhibited his work in New York in 1974. The following year he was given his first one-man show; he was included in the 1975 Whitney Biennial.. Since about 1985 has addressed many of his paintings to the subject of AIDS- both documenting it as a historical phenomenon and commemorating specific individuals who have died. Written and submitted by Jean Ershler Schatz, artist and researcher from Laguna Woods, California. Bio sourced from the Archives of askArt. Sources include: Ross Bleckner's Mood Indigo by Lisa Liebmann, in ARTnews, May 1993...

An Art Deco gouache painting by American artist Anthony Nelle featuring exquisite details and materials to create a fantastic and enchanting scene.

Attributed to: Ross Bleckner (American, b. 1949) Group of 3 Double Sided Drawings Watercolor and graphite on paper Largest: 24 x 18 in. Smallest: 23 1/4 x 18 in. Ross Bleckner grew up in Hewlett, Long Island, New York; drawing all the time without being aware that other artists existed. He was the middle child between two sisters; his father manufactures electronic parts He attended New York University where Sol Lewitt, Chuck Close and others were his teachers. He graduated in 1972, then spent a year at the California Institute of Arts. His contacts in the next few years were very fortuitous; Sol Lewitt and Chuck Close, Carl Andre, David Salle, Julian Schnabel, etc. Bleckner is on the nervous side, beset by self-doubt, insomnia, and gloom. He is unpretentious, although he is bluntly handsome, with olive complexion, and a compact build. He is "10 percent that is superficial and 90 percent that has to do with the depths and that is threatened by living. He is a very complicated individual. He is a very, very morose, deeply feeling, hardworking artist- he takes a lot from within himself - but always, no matter how successful he is, he feels he is going to fall into those depths." 1 Bleckner first exhibited his work in New York in 1974. The following year he was given his first one-man show; he was included in the 1975 Whitney Biennial.. Since about 1985 has addressed many of his paintings to the subject of AIDS- both documenting it as a historical phenomenon and commemorating specific individuals who have died. Written and submitted by Jean Ershler Schatz, artist and researcher from Laguna Woods, California. Bio sourced from the Archives of askArt. Sources include: Ross Bleckner's Mood Indigo by Lisa Liebmann, in ARTnews, May 1993...

Attributed to Ross Bleckner (American, b. 1949) Group of 3 Double Sided Drawings Watercolor and graphite on paper Largest: 24 x 18 in. Smallest: 23 1/4 x 18 in. Ross Bleckner grew up in Hewlett, Long Island, New York; drawing all the time without being aware that other artists existed. He was the middle child between two sisters; his father manufactures electronic parts He attended New York University where Sol Lewitt, Chuck Close and others were his teachers. He graduated in 1972, then spent a year at the California Institute of Arts. His contacts in the next few years were very fortuitous; Sol Lewitt and Chuck Close, Carl Andre, David Salle, Julian Schnabel, etc. Bleckner is on the nervous side, beset by self-doubt, insomnia, and gloom. He is unpretentious, although he is bluntly handsome, with olive complexion, and a compact build. He is "10 percent that is superficial and 90 percent that has to do with the depths and that is threatened by living. He is a very complicated individual. He is a very, very morose, deeply feeling, hardworking artist- he takes a lot from within himself - but always, no matter how successful he is, he feels he is going to fall into those depths." 1 Bleckner first exhibited his work in New York in 1974. The following year he was given his first one-man show; he was included in the 1975 Whitney Biennial.. Since about 1985 has addressed many of his paintings to the subject of AIDS- both documenting it as a historical phenomenon and commemorating specific individuals who have died. Written and submitted by Jean Ershler Schatz, artist and researcher from Laguna Woods, California. Bio sourced from the Archives of askArt. Sources include: Ross Bleckner's Mood Indigo by Lisa Liebmann, in ARTnews, May 1993...

Attributed to Ross Bleckner (American, b. 1949) Group of 3 Double Sided Drawings Watercolor and graphite on paper All approx. 24 x 18 in. Ross Bleckner grew up in Hewlett, Long Island, New York; drawing all the time without being aware that other artists existed. He was the middle child between two sisters; his father manufactures electronic parts He attended New York University where Sol Lewitt, Chuck Close and others were his teachers. He graduated in 1972, then spent a year at the California Institute of Arts. His contacts in the next few years were very fortuitous; Sol Lewitt and Chuck Close, Carl Andre, David Salle, Julian Schnabel, etc. Bleckner is on the nervous side, beset by self-doubt, insomnia, and gloom. He is unpretentious, although he is bluntly handsome, with olive complexion, and a compact build. He is "10 percent that is superficial and 90 percent that has to do with the depths and that is threatened by living. He is a very complicated individual. He is a very, very morose, deeply feeling, hardworking artist- he takes a lot from within himself - but always, no matter how successful he is, he feels he is going to fall into those depths." 1 Bleckner first exhibited his work in New York in 1974. The following year he was given his first one-man show; he was included in the 1975 Whitney Biennial.. Since about 1985 has addressed many of his paintings to the subject of AIDS- both documenting it as a historical phenomenon and commemorating specific individuals who have died. Written and submitted by Jean Ershler Schatz, artist and researcher from Laguna Woods, California. Bio sourced from the Archives of askArt. Sources include: Ross Bleckner's Mood Indigo by Lisa Liebmann, in ARTnews, May 1993...

Attributed to Ross Bleckner (American, b. 1949) Group of 3 Double Sided Drawings Ink and graphite on paper Largest: 23 1/2 x 17 1/4 in. Smallest: 22 7/8 x 18 in. Ross Bleckner grew up in Hewlett, Long Island, New York; drawing all the time without being aware that other artists existed. He was the middle child between two sisters; his father manufactures electronic parts He attended New York University where Sol Lewitt, Chuck Close and others were his teachers. He graduated in 1972, then spent a year at the California Institute of Arts. His contacts in the next few years were very fortuitous; Sol Lewitt and Chuck Close, Carl Andre, David Salle, Julian Schnabel, etc. Bleckner is on the nervous side, beset by self-doubt, insomnia, and gloom. He is unpretentious, although he is bluntly handsome, with olive complexion, and a compact build. He is "10 percent that is superficial and 90 percent that has to do with the depths and that is threatened by living. He is a very complicated individual. He is a very, very morose, deeply feeling, hardworking artist- he takes a lot from within himself - but always, no matter how successful he is, he feels he is going to fall into those depths." 1 Bleckner first exhibited his work in New York in 1974. The following year he was given his first one-man show; he was included in the 1975 Whitney Biennial.. Since about 1985 has addressed many of his paintings to the subject of AIDS- both documenting it as a historical phenomenon and commemorating specific individuals who have died. Written and submitted by Jean Ershler Schatz, artist and researcher from Laguna Woods, California. Bio sourced from the Archives of askArt. Sources include: Ross Bleckner's Mood Indigo by Lisa Liebmann, in ARTnews, May 1993...

The Return of Bella Cuculi is an original contemporary artwork realized by Pablo Echarruen in 1974. Hand Signed and dated on lower right. Titled on the lower left. China, watercol...

Daniel Ludwig is an American figurative artist who lives and works in Brooklyn, NY and Berkley. His original piece of artwork pictured above is called 'Back View' and this work of ar...

"Satyr and Nymph" A satyr is a grotesque male spirit of nature, always nude, who walks upright on legs usually shown as goat’s legs. Nymphs are female spirits, who rule over rivers ...

"Hercules and Deianira" Legend says Deianira was Hercules' wife. Heracles and Deianira encountered the centaur Nessus, who served as a ferryman at the Evenus River. Nessus attempte...

"Centaur and Nymph" Part of "NeoMythology" series. Original work on colored paper. Size is 27.5x19.5in / 70x50cm . Shipped rolled in a tube. Get free shipping with 1stdibs code.

Ernest Procter Wonderful classical drawing of a young boys head study Ernest Procter ARA was an English designer, illustrator and painter, and husband of the famous British artist ...

Mixed technique on paper. Hand signed lower right. Created by the Italian Pop Art artist Marco Silombria (Savona, 1936-Albissola, 2017): an Italian painter, sculptor, and esteemed a...

Old charcoal drawing on paper " nude lady with cigarette " Italian school 2Oth This exceptionally beautiful charcoal drawing sits in a brand new frame, and sealed under the authenti...

Academic life drawing of male nude with charcoal and graphite by Mark Beard, "MB 023" graphite, Conte crayon and charcoal on Arches paper 30.5 x 17.5 inches unframed Signed, lower le...

"Untitled 28" (FRAMED) Pencil Drawing 21" x 18" inch by Antonio Pelayo Size unframed: 15.5" x 13.5 inch Medium: Pencil on Paper Artist Antonio Pelayo, born in Glendale, California...

The loose style of this drawing comes together quickly to convey the relaxed state of this nude female. The pastel accents bring a beautiful warmth to this drawing. Christopher Ganz Woman at Rest, 2013 pastel and charcoal on green paper 23h x 18w in 58.42h x 45.72w cm CG0062 -ARTIST STATEMENT- I depict my person in multiplicity with different selves representing dramatis personae. My likeness is both implicit and symbolic in the portrayal of my narrative; the drama involved in creating art and the artist’s role in society. I use realism to invite the viewer into mysterious inner worlds that are layered reflections of the outer. Dehumanizing environments are imbued with art historical references as a critique of power structures. The artist is an Everyman who is at odds with society and his self. Visually my work is a celebration of society’s dark undercurrents and its overlooked absurdities. I use charcoal and printmaking media as their tenebrous values add a fitting metaphor. The nuances of light and shadow seduce viewers into a world their better judgment would have them avoid. This provokes a sense of disquietude that causes viewers to assess our world through the austerity of a colorless, yet not humorless, light. -BIO- Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey...

This particular drawing is a study of the sculpture at the Medici Chapel in Florence, Italy. The artist creates a true to life representation of the sculpture in question by incorporating techniques of classical academic drawing such as cross hatching and gesture based mark making in order to create volumes and give the study an overall three-dimensionality. Christopher Ganz Dusk from the Tomb of Lorenzo di Piero de'Medici, by Michaelangelo, in Florence Ballpoint pen 24h x 13w in 61h x 33.29w cm CG0064 -ARTIST STATEMENT- I depict my person in multiplicity with different selves representing dramatis personae. My likeness is both implicit and symbolic in the portrayal of my narrative; the drama involved in creating art and the artist’s role in society. I use realism to invite the viewer into mysterious inner worlds that are layered reflections of the outer. Dehumanizing environments are imbued with art historical references as a critique of power structures. The artist is an Everyman who is at odds with society and his self. Visually my work is a celebration of society’s dark undercurrents and its overlooked absurdities. I use charcoal and printmaking media as their tenebrous values add a fitting metaphor. The nuances of light and shadow seduce viewers into a world their better judgment would have them avoid. This provokes a sense of disquietude that causes viewers to assess our world through the austerity of a colorless, yet not humorless, light. -BIO- Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey, and Michael Mazur. Christopher is now an associate professor of printmaking and drawing at Indiana-Purdue University Fort Wayne. Christopher drawings are represented by Ann Nathan Gallery in Chicago, and he shows his prints across the nation. -CV- EDUCATION MFA 2001 Printmaking Indiana University-Bloomington BFA 1995 Drawing and Printmaking University of Missouri-Columbia TEACHING/PROFESSIONAL EXPERIENCE 2002-13 Associate Professor, Printmaking and Drawing Indiana University–Purdue University Fort Wayne (IPFW), Fort Wayne, IN 2002 Adjunct Professor: Lithography (instructor of record) Indiana University-Bloomington 1998-00 Associate Instructor: Beginning Drawing (instructor of record) Indiana University-Bloomington 1998 Artist’s Assistant, Assisted Distinguished Professor Emeritus Rudy Pozzatti in the production of an intaglio edition, Bloomington, IN SOLO OR SMALL GROUP EXHIBITIONS 2013 Multiplicities: Drawings and Prints by Christopher Ganz, Franklin College, Franklin, IN Feb. 5 – Feb. 21 2012 Dramatis Personae: Drawings and Prints by Christopher Ganz, University of South Carolina-Columbia, Jan 16. – Feb. 16, 2012 2011 Christopher Ganz; Prints and Drawing Hendrix College, Hendrix, Arkansas, March 5 - 18 2009 Fall Season Exhibition, six drawings displayed Ann Nathan Gallery, Chicago. Oct 16 – Nov. 24 South Bend Museum of Art Biennial 25 - regional juried exhibition for artists in all media, six large drawings displayed; 14 artists selected from over 200 submissions; May 30-Aug. 23 Juror: William Lieberman, Director of Zolla/Lieberman Gallery, Chicago 2007 Christopher Ganz: Drawings, The Carnegie Visual and Performing Arts Center Covington, KY, March 9 - April 6 Alter Egos: Drawings and Prints by Christopher Ganz Trisolini Gallery, Ohio University, Athens, OH, Jan. 9 - Feb.17 2005 The Two-Way Mirror: Self - Portraits by Christopher Ganz Fort Wayne Museum of Art, Fort Wayne, IN, Aug.20 - Oct. 23 2004 Works on Paper: Christopher Ganz and Paul Schumann Robert E. Wilson Gallery, Huntington College, Huntington, IN, Sept. 2 - 25 2002 Images by Christopher Ganz - Visual Arts Gallery Indiana University-Purdue University Fort Wayne, Fort Wayne, IN, Sept. 3 – Oct. 11 2001 M.F.A. Thesis Exhibition - School of Fine Arts Gallery Indiana University, Bloomington, IN, March 27 - April 7 SELECTED ADJUDICATED OR INVITATIONAL GROUP EXHIBITIONS 2012 International Expositions of Sculpture Objects and Functional Art (SOFA) Chicago, Drawing, “The Initiation” on display in Ann Nathan Gallery space, Nov. 2-4 Reverse Watching, Invitational Print Portfolio Monoprint, “The Mind’s Eye" displayed at Mid America Print Council’s National Conference, Southeast Missouri State, Cape Girardeau, MO, Nov. 1 – 3 Contemporary American Realism: Fort Wayne Museum of Art 2012 National Biennial, Fort Wayne, IN, Aug.11-Oct. 28 32nd Annual National Print Exhibition at Artlink - National Juried Exhibition Artlink Gallery, Fort Wayne, IN, April 13 – May 23 Juror: Ladislav Hanka, internationally exhibiting printmaker International Expositions of Sculpture Objects and Functional Art (SOFA) New York, Park Avenue Armory, Drawing, “The Enigma” on display in Ann Nathan Gallery space, April 20-23 Spring Group Show, drawings, “Checking Out” and “The Enigma” displayed, April – May 2 Ann Nathan Gallery, Chicago 2011 Prints U.S.A. 2011 – National Juried Exhibition Springfield Art Museum, Missouri, Nov. 18 – Jan. 8 Juror: Elizabeth Wyckoff, Curator of Prints, Drawings & Photographs, St. Louis Art Museum International expositions of Sculpture Objects and Functional Art (SOFA) New York, Park Avenue Armory, Drawing, Checking Out on display in Ann Nathan Gallery space, April 14-17 2010 Contemporary American Realism: Fort Wayne Museum of Art 2010 National Biennial, Fort Wayne, IN, Sept. 3 – Nov. 7; two pieces accepted Cultural Baggage, Invitational Print Portfolio Intaglio print, Super-Heroes go to Hell, after Dore’ displayed at Mid America Print Council’s National Conference, University of Minnesota Minneapolis, MN, Chicago, Oct. 13-16 Art Chicago: International Fair of Contemporary and Modern Art Drawing, The Cyclops on display in Ann Nathan Gallery space, April 29 - May 2 30th Annual National Print Exhibition at Artlink - National Juried Exhibition Artlink Gallery, Fort Wayne, IN, April 16 – May 26 Juror: Claudia Berlinski, Senior Lecturer of Printmaking at Akron University, Akron, OH 2009 Are you looking at me? Invitational Print Portfolio Color lithograph, Open and Shut, displayed at IMPACT 6: International Print Conference Centre for Fine Print Research, University of the West of England, Bristol, Sept. 16 – 19 Art Chicago: International Fair of Contemporary and Modern Art Drawing, Self-Checkout on display in Ann Nathan Gallery space, May 1 – 4 Identification Please, Invitational Print Portfolio Intaglio print, Good Cop/Bad Cop displayed at Southern Graphics Council National Conference, Columbia College, Chicago, March 25 – 29 Boston Printmakers 2009 North American Print Biennial – National juried printmaking exhibition Juror: Rebecca Waddell, Curator of Prints at the New York Public Library Boston University’s 808 Gallery, Boston, MA, Feb. 15 – March 30 22nd Parkside National Small Print Exhibition - National Juried Exhibition University of Wisconsin-Parkside, Kenosha, WI, Jan.18 - Feb. 19 Juror: Professor of printmaking at the University of Wisconsin - Parkside Portraits and Beyond, Ann Nathan Galley, Chicago, IL, Jan. 9 - Feb 19 2008 Contemporary American Realism: Fort Wayne Museum of Art 2008 National Biennial, Fort Wayne, IN, Sept13 – Nov. 2; two pieces accepted 28th Annual National Print Exhibition at Artlink - National Juried Exhibition 2008 Artlink Gallery, Fort Wayne, IN, April 11 – May 21 Juror: Mark Pascale, Printmaking Faculty, School of the Art Institute of Chicago and Curator of Prints and Drawing, Art Institute of Chicago “No Danger” - Invitational Portfolio Folded paper airplane lithograph, “The Dream of Flight” displayed at Richmond International Airport as part of the Southern Graphics Council National Conference Virginia Commonwealth University, Richmond, VA, March 26 – April 26 21st Parkside National Small Print Exhibition - National Juried Exhibition University of Wisconsin-Parkside, Kenosha, WI, Jan.20 - Feb. 21 Juror: Karla Hackenmiller, Printmaking Chair and Associate Professor, School of Fine Arts, Ohio University 2007 Singularities – Invitational group exhibit Joan Resnikoff Gallery, Roxbury Community College, Boston, MA Nov. 2 – Dec. 17 Hong Kong Graphics Art Festival 2007: Crossing Boundaries - Invitational international printmaking exchange exhibition School of Design Gallery, Hong Kong Polytechnic University, Kowloon, Hong Kong, China, Nov. 1 – Nov. 16 27th Annual National Print Exhibition at Artlink - National Juried Exhibition Artlink Gallery, Fort Wayne, IN, May 26 - July 5; two pieces accepted Award Selector: Brett Colley, Assistant Professor of Art and Design, Grand Valley State University Boston Printmakers 2007 North American Print Biennial – National juried printmaking exhibition Boston University’s 808 Gallery, Boston, MA, Feb. 18 - April 1 Juror: Judith B. Hecker, Assistant Curator, Department of Prints and Illustrated Books, The Museum of Modern Art, New York 2006 The Printed Image: The First Biennial Midwestern Graphics Juried Exhibition National Juried Printmaking Exhibition Alice C. Sabatini Gallery, Topeka & Shawnee County Public Library, Topeka, KS Aug. 11 - Sept 15 Juror: Karen Kunc, Professor of Printmaking/Book Arts, University of Nebraska- Lincoln 2006 National Contemporary American Realism: Fort Wayne Museum of Art's 2006 Biennial, Fort Wayne, IN, June 10 - Aug. 20; two pieces accepted 26th Annual National Print Exhibition at Artlink - National Juried Exhibition Artlink Gallery, Fort Wayne, IN, May 26 - July 5; two pieces accepted Award Selector: Carolyn Autry, artist and Associate Professor of Art and Art History at the University of Toledo 19th University of Dallas Print Invitational - Traveling national invitational exhibition Haggerty Gallery, University of Dallas, Irving TX, Jan. 28 – March 6 three pieces accepted Texas A&M University – Corpus Christi, TX, Feb. 1 – March 9, 2007 Juror: Juergen Strunck...

Nude Figure with Breast & Hand, Platinum Palladium Print on Wove by Contemporary British Artist, Malcolm Pasley (Born 1956) Art measures 14 x 11 inches...

artist: Anastasia Kurakina one-of-a-kind Original watercolour on paper 2023 hand signed Several Anastasia Kurakina's artworks have been included into the Vatican Museums collectio...

Jolanta Johnsson, experienced Polish artist, graduate of the Academy of Fine Arts in Warsaw, PhD of fine arts, university teacher. She currently lives in Sweden. This is how she writ...

Jolanta Johnsson, experienced Polish artist, graduate of the Academy of Fine Arts in Warsaw, PhD of fine arts, university teacher. She currently lives in Sweden. This is how she writ...

Jolanta Johnsson, experienced Polish artist, graduate of the Academy of Fine Arts in Warsaw, PhD of fine arts, university teacher. She currently lives in Sweden. This is how she writ...

Artist/Designer; Manufacturer: Chaim Gross (American, 1902-1991) Marking(s); notes: signed; 1928 Materials: pencil and watercolor on paper Dimensions (H, W, D): 9"h, 6.5"w; 17"h, 13"...

Baigneuse dans un cours d'eau by Georges Manzana Pissarro (1871-1961) Gouache on paper 49.5 x 36 cm (19 ¹/₂ x 14 ¹/₈ inches) Signed lower left, manzana - Pissarro This work is accom...

Jeune Femme de Dos au Zèbre by Georges Manzana Pissarro (1871 - 1961) Charcoal on paper 66 x 49 cm (26 x 19 ¼ inches) Signed lower right, Manzana Executed circa 1915 This work is ac...

Italian XIX drawing. Charcoal on brown paper. Good condition with some defects on margins. Size: 62cm x 48cm. This drawing represents one of the many examples of academic exercis...

Venus of Medici. Italian Academic Drawing. XIX century Charcoal on paper. 72cm x 55 cm Good condition with some defects on margins.  The Medici Venus statue was discovered during...

"Untitled 29" (FRAMED) Pencil Drawing 21" x 18" inch by Antonio Pelayo Size unframed: 15.5" x 13.5" inch Medium: Pencil on Paper Artist Antonio Pelayo, born in Glendale, California...

"Paris with Apples" The original legend says Paris, prince of Troy had one golden apple, and had to choose between 3 goddesses. Modern Paris has more than one apple, and he is depi...

A 1946, charcoal on paper drawing of three nudes by Artist Harold Haydon. Matted to 18" x 14". Harold Emerson Haydon was born in Fort William, Ontario, Canada in 1909. Haydon cam...

A son of Niobe. Italian Academic drawing. XIX century. Charcoal drawing on paper. Dimensions: cm 58 x cm 43. Good conservation conditions with small defects on margins. This dra...

Child is a drawing realized by Joseph Colin in the Mid-20th Century. Pencil on ivory-colored paper Good conditions with slight foxing. The artwork is realized through deft express...

Academic life drawing of male nude with charcoal and graphite by Mark Beard graphite, Conte crayon and charcoal on Arches paper 30 x 19.5 inches unframed Signed, lower left Strong f...

Ernest Procter Wonderful classical drawing of a nude torso. Ernest Procter ARA was an English designer, illustrator and painter, and husband of the famous British artist Dod Procte...

Artist: Ian Hornak (1944-2002) Title: Untitled (Renaissance Male Hand Figure Study) Year: circa 1964 Medium: Charcoal on archival paper Size: 18 x 23 inches Condition: Good Provenanc...

Artist: Ian Hornak (1944-2002) Title: Untitled (Renaissance Female Nude Figure Study) Year: circa 1964 Medium: Charcoal on archival paper Size: 18 x 23 inches Condition: Good Provena...

Artist: Ian Hornak (1944-2002) Title: Untitled (Renaissance Male Nude Figure Study) Year: circa 1963 Medium: Charcoal on archival paper Size: 18 ...

Artist: Ian Hornak (1944-2002) Title: Untitled (Renaissance Female Nude Figure Study) Year: circa 1964 Medium: Charcoal on archival paper Size: 18 x 23 inches Condition: Good Provena...

Artist: Ian Hornak (1944-2002) Title: Untitled (Renaissance Male Nude Figure Study) Year: circa 1963 Medium: Charcoal on archival paper Size: 18 ...

Artist: Ian Hornak (1944-2002) Title: Untitled (Renaissance Male Hand Figure Study) Year: circa 1964 Medium: Charcoal on archival paper Size: 18 x 23 inches Condition: Good Provenanc...

Artist: Ian Hornak (1944-2002) Title: Untitled (Renaissance Female Nude Figure Study) Year: circa 1964 Medium: Charcoal on archival paper Size: 18 x 23 inches Condition: Good Provena...

Artist: Ian Hornak (1944-2002) Title: Untitled (Renaissance Male Foot Figure Study) Year: circa 1964 Medium: Charcoal on archival paper Size: 18 x 23 inches Condition: Good Provenanc...

Artist: Ian Hornak (1944-2002) Title: Untitled (Renaissance Female Nude Figure Study) Year: circa 1964 Medium: Charcoal on archival paper Size: 18 x 23 inches Condition: Good Provena...

Artist: Ian Hornak (1944-2002) Title: Untitled (Renaissance Male Hand Figure Study) Year: circa 1964 Medium: Charcoal on archival paper Size: 18 x 23 inches Condition: Good Provenanc...

Artist: Ian Hornak (1944-2002) Title: Untitled (Renaissance Female Nude Figure Study) Year: circa 1964 Medium: Charcoal on archival paper Size: 18 x 23 inches Condition: Good Provena...

Artist: Ian Hornak (1944-2002) Title: Untitled (Renaissance Female Nude Figure Study) Year: circa 1963 Medium: Charcoal on archival paper Size: 18 x 23 inches Condition: Good Provena...

Artist: Ian Hornak (1944-2002) Title: Untitled (Renaissance Male Nude Figure Study) Year: circa 1964 Medium: Charcoal on archival paper Size: 18 ...

Artist: Ian Hornak (1944-2002) Title: Untitled (Renaissance Female Figure Study) Year: circa 1964 Medium: Charcoal on archival paper Size: 18 x 23 inches Condition: Good Provenance: ...

Artist: Ian Hornak (1944-2002) Title: Untitled (Renaissance Female Nude Figure Study) Year: circa 1963 Medium: Charcoal on archival paper Size: 18 x 23 inches Condition: Good Provena...

Artist: Ian Hornak (1944-2002) Title: Untitled (Renaissance Female Nude Figure Study) Year: circa 1963 Medium: Charcoal on archival paper Size: 18 x 23 inches Condition: Good Provena...

Artist: Ian Hornak (1944-2002) Title: Untitled (Renaissance Female Nude Figure Study) Year: circa 1963 Medium: Charcoal on archival paper Size: 18 x 23 inches Condition: Good Provena...